Dr. Jeffery held a masterclass for students of the Kulzick Violin Studio on Thursday, November 2nd, 2017. The class was held at the Kathryn J. Birkett Freshman Center at Neuqua Valley High School. Below are some clips from the class, and the full masterclass can be found here.
Due to a family emergency, the planned Winter 2016 recital was rescheduled into two informal salons, one held on December 17th, 2016 and the second held on January 7th, 2017.
“Allegro”
Shinichi Suzuki (1898–1998)
Suite in G minor, BWV 822 Menuet III Johann Sebastian Bach (1685–1750)
Judas Maccabaeus, HWV 63
Act 3 No. 5: “See, the conqu’ring hero comes!”
George Frideric Handel (1685–1759)
English Suite No. 3 in G minor, BWV 808 Gavotte II (or Musette)
Johann Sebastian Bach (1685–1750)
Additional Performances
——First Salon——
Forty Children’s Songs on Original and Folk Themes with Piano Accompaniment 33. Spring Song (“All the Birds are Already Here”)
Folk Song
Notebook for Anna Magdalena Bach (1725) 7. Menuet, BWV Anhang 116
Carl Philipp Emanuel Bach (1714–1788)
Sonata no. 12 for Organ and Cembalo V. Gavotte Padre Giovanni Battista Martini (1706–1784)
Gavotte in G minor for Violin with Piano accompaniment
Jean Becker (1833–1884)
Cello Suite No.3 in C major, BWV 1009 V. Bourrée I & II
Johann Sebastian Bach (1685–1750)
R. K. Shriramkumar held a lecture and group demonstration for students in the Kulzick Violin Studio on Tuesday, November 1st, 2016, introducing students to the basics of Carnatic music and Carnatic violin technique. The class was held at the Kathryn J. Birkett Freshman Center at Neuqua Valley High School. Below are some clips from the class, and the full lecture demonstration can be found here.
Shriramkumar introduces students to the posture and tuning used in Carnatic violin playing, along with some background history on the introduction of the violin to Carnatic music
Shriramkumar introduces students to the concept of shruti
Shriramkumar introduces students to the concept of gamaka
Shriramkumar introduces students to the concept of ragas
Shriramkumar introduces students to the concept of talas
Students’ first attempt playing in the Carnatic style