April 23rd, 2016


Pieces for one and two violins
     24. Rondeau
Marin Marais (1656–1728), dedicated to Jean-Baptiste Lully (1632–1687)


Sonatas for Organ and Cembalo
     No. 12: V. Gavotta
Giovanni Battista Martini (1782–1840)


Cello Suite No. 3 in C Maor, BWV 1009
     Bourrée I & II
Johann Sebastian Bach (1685–1750)


L’Estro Armonico, Op. 3, Concerto No. 6 in A minor, RV 356
     Largo
     Presto
Antonio Vivaldi (1678–1741)


Pieces de clavecin, Op. 1, No. 1, Suite in G
     Allegro
Joseph-Hector Fiocco (1703–1741)

Additional Performances

Recital 1

Bow Technique Demonstration

“Twinkle, Twinkle Little Star,” Theme and Variations
Shinichi Suzuki (1898–1998)

Suite in G minor, BWV 822
     Menuet III
Johann Sebastian Bach (1685–1750)

“Miss Independent”
Kelly Clarkson, Rhett Lawrence, Christina Aguilera, Matt Morris

Gavotte in G minor
Jean Becker (1833–1884)

Student Concerto No. 5, Op. 22
     Andante cantabile
     Rondo
Friedrich “Fritz” Seitz (1848–1918)

Student Concerto No. 4, Op. 15
     Allegro moderato
Friedrich “Fritz” Seitz (1848–1918)

Partita No. 2 in D minor, BWV 1004
     Allemanda
     Corrente
Johann Sebastian Bach (1685–1750)

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Recital 2

“Twinkle, Twinkle Little Star,” Theme and Variations
Shinichi Suzuki (1898–1998)

Allegretto
Shinichi Suzuki (1898–1998)

Notebook for Anna Magdalena Bach (1725)
     Menuet, BWV Anhang 116
Johann Sebastian Bach (1685–1750)

Theme from Le Streghe (“Witches’ Dance”), Op. 8
Niccolò Paganini (1782–1840)

Cello Suite No. 3 in C Major, BWV 1009
     Bourrée I & II
Johann Sebastian Bach (1685–1750)

Student Concerto No. 5, Op. 22
     Andante cantabile
     Rondo
Friedrich “Fritz” Seitz (1848–1918)

Concerto for Violin in G minor, Op. 12, No. 1, RV 317
     Allegro
Antonio Vivaldi (1678–1741)

Partita No. 3 in E Major, BWV 1006
     Preludio
     Menuets I & II
Johann Sebastian Bach (1685–1750)

December 14th, 2013


“Long, Long Ago!”
Thomas Haynes Bayly (1797–1839)


Suite in G minor, BWV 822
     Menuet III
Johann Sebastian Bach (1685–1750)


Pièces à une et à deux violes
     24. Rondeau
Marin Marais (1656–1728), dedicated to Jean-Baptiste Lully

Additional Performances

“Silent Night”
Franz Xaver Gruber (1787–1863)

Etude
Shinichi Suzuki (1898–1998)

Judas Maccabaeus, Act III, No. 5: “See, the conqu’ring hero comes!”
George Frideric Handel (1685–1759)

English Suite No. 3 in G minor, BWV 808
     Gavotte II (ou la Musette)
Johann Sebastian Bach (1685–1750)

Waltzes for Piano with Four Hands, Op. 39
     No. 15
Johannes Brahms (1833–1897)

String Quintet in E major, G275
     III. Minuetto
Luigi Boccherini (1743–1805)

Two Pieces for cello and piano
     La Cinquantaine, Air dans le style ancien (“The Golden Wedding”)
Jean Gabriel Marie (1852–1928)

Gavotte in G minor
Jean Becker (1833–1884)

August 17th, 2013

“Feliz Navidad”
José Feliciano (1945– )

Composed in 1970 by José Feliciano, “Feliz Navidad” is one of the top 25 most played and recorded Christmas songs. The lyrics are straightforward, “Feliz Navidad, próspero año y felicidad” (“Merry Christmas, a prosperous year and happiness”), but the rhythm and melody are catchy, making the song just as popular during the holiday season now as it was almost 45 years ago.

“Long, Long Ago” Theme and Variation
Thomas Haynes Bayley (1797–1839)

Written in 1833 by English poet and composer Thomas Haynes Bayly, “Long, Long Ago” (initially titled “The Long Ago”) was a massive hit, eventually becoming one of the most popular songs in the United States. The song tells of the singer’s lost, and newly returned, love and his wistful remembrances of their time together. It’s also known as the basis for the 1942 Glen Miller song, “Don’t Sit Under the Apple Tree (With Anyone Else But Me)”.

Pieces for one and two violins
     24. Rondeau
Marin Marais (1656–1728), dedicated to Jean-Baptiste Lully

Marin Marais was a student of the famous Jean-Baptiste Lully, who was the court composer for Louis XIV, the Sun King. Lully is considered one of the great masters of the Baroque period and his influence as a composer of ballets drastically altered the popular dances of the day, from more stately and slow to lively, upbeat gavottes, menuets, and more. Along with his instrumental work and operas, he also collaborated with Molière to create comedy ballets, which combined comedic theater with dance and music. While Lully is often credited with this piece, it was actually composed by Marais, who dedicated the collection of pieces from which it is taken to his teacher.

Humoresques for Piano, Op. 101
     Poco lento e grazioso
Antonín Dvořák (1841–1901)

Composed by Dvořák during the summer of 1894 as the seventh movement of a cycle of humoresques, this piece is considered, along with Für Elise, to be one of the most famous small piano works ever written. This humoresque is also known as the setting for a series of humorous verses encouraging passengers on trains to exercise restraint, “Passengers will please refrain/From flushing toilets while the train/is standing in the station”.

Additional Performances

Theme from “Für Elise”
Ludwig van Beethoven (1770–1827)

English Suite No. 3 in G minor, BWV 808
     V. Gavotte II (ou la Musette)
Johann Sebastian Bach (1685–1750)

VI Menuets for Clavier (WoO 10)
     No. 2
Ludwig van Beethoven (1770–1827)

Concertino in D Major, Op. 15
     Allegro moderato
     Siciliano larghetto
     Allegro assai
Ferdinand Küchler (1867–1937)